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Panel 1: Again, Moore plays with the juxtaposition of
images and words as the news commentator – a professor no doubt brought in as
an “expert” – remarks on the impending possibility of nuclear war with “…what
[do] these people have instead of brains…” while Hollis Mason digs out the
“brains” of a pumpkin in order to make it into a proper jack-o-lantern.
Panel 2: The newsman’s summation of the New
Frontiersman article is obviously in reference to the one we saw Hector
Godfrey pasting up two pages earlier.
Panel 3: Mason’s
remark that his jack-o-lantern is “like Rodin,” is a reference to the famous
French sculptor Auguste Rodin – an ironic remark on Mason’s obviously
simplistic carving of the pumpkin.
Panel 4: The delivery company, referenced by Doug Roth
here, that finances Nova Express is obviously Pyramid Deliveries, which
is owned by Adrian Veidt. The web of
Ozymandias’s dealings and machinations are beginning to reveal itself, and will
unravel, to a point, as more strands become apparent.
Roth’s
comment that the New Frontiersman editorial should be called “Spirit of
Nuremberg” is a reference to the Nuremberg Trials held after World War II by
Allied Forces to prosecute prominent members of the Nazi party. These military tribunals have been criticized
for a number of deficiencies, including the low bar of judges assigned to try
cases, the creation of law ex post facto
to fit with the tenor of the times, and the fact that the defendants were not
allowed to appeal or affect judge selection, among many other things. Roth is basically stating that the attack on
his paper, Nova Express, is unjust and wholly without merit, with this
statement.
Panel 5: Note the drop of pumpkin “guts” that has
fallen across the right eye (left from our point of view) of the
jack-o-lantern, which will be even more obvious once the candle is lit in the
next panel. This is obviously yet
another instance of the “bloody smiley face button” motif found throughout the
book.
Panel 6: With the death of the inmate scalded with hot
fat by Walter Kovacs (Rorschach), the prison spokesperson states that they are
“looking into the jaws of hell.” This
remark hearkens back to the Chapter VI title,
“The Abyss Gazes Also,” which is an apt symbolic representation of Rorschach.
There
is also a bit of foreshadowing in this panel as Hollis Mason makes the comment
that he “can hardly wait till it’s dark.”
If he knew what was coming, Mason would undoubtedly have a different
feeling toward what is coming for him later that night. And this line – “…can hardly wait till it’s
dark…” transitions directly into
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