PAGE 15
Panel 1: Dan’s
inability to “get it up,” as evidenced by the curse under his breath, “Aw,
hell,” (as shown by the smaller lettering
font in a word balloon too big for the dialogue, which leaves a lot of white
space to indicate the softer aspect of this speech) is played off the
commentator, once more, who exclaims that Veidt’s performance is “…just
perfect…”
Panel 2:
We get more ironic juxtaposition as we watch Veidt land a “perfect Hecht
dismount” while Dan apologizes to Laurie for his inability to perform as he
tells her, “…it isn’t you, it’s just [my hang-ups]…”
Panel 3: Note
that the clock is at 7:00 pm.
Panels 4-6:
In these three panels, we get more of the apocalyptic symbolism replete
throughout this story: Panel 4 has “Pale Horse” and one of
that band’s members “Red D’Eath”, Panel
5 has the advertisement for “MMMMMeltdowns,” and Panel 6 has the ABC sign-off remarks asking for people to “take
care of each other.”
Also note that
it is now 2:00 am, and Dan has been unable to perform over that whole time
– whereas, in a more typical narrative, these two would have been
fornicating that entire time as a climax to the release of their sexual
tension. It is a testament to
Moore’s writing that he did not go the expected/easy route with this.
Panel 8: Laurie’s
remark to Dan, “Just sleep,” is played over the television set “going to
sleep,” as broadcasting for the evening ceases – something that does not
occur today, but was common practice at the time this was written.
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