PAGES 19-20
It is
worth noting how rare it is for a writer, especially one who is prone to purple
prose like Moore can be, to allow the images to tell the story. But it works perfectly here; everything we
need to know is featured in these eighteen panels, and the realization of what
happened to the young girl – as we close in on the two German shepherds
fighting with what appears to be a leg bone – is shocking, and accentuated by
the “look” on Rorschach’s face (a look of shock on his mask) and the coloring
transition of panels 7-9 of Page 20 from
orange with spots of red (specifically one of the dog’s eyes) to Rorschach
bathed in red in that final panel.
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