PAGE 8
Panel 1: Note the coffee mug just visible off the left
side of this panel. It shows half of an “A” and a “D,” which one must assume
would represent the word “DAD,” giving us a bit more insight into Dr. Long’s
life.
Panel 3: This early in the case Dr. Long is insistent
that anyone discussing it – in this instance, his wife – not use the “fantasy
personality” of Rorschach for his patient.
Walter Kovacs is his patient,
and losing sight of that could hamper any progress.
Panel 4: The remarks by Dr. Long’s wife in this panel
foreshadow what will happen through the course of Dr. Long’s work with
Kovacs/Rorschach, despite Dr. Long’s protests to the contrary.
The
coffee mug is fully visible in this panel, and it does say “DAD.”
Also,
the odd mobile hanging from the office ceiling – which is more evident in Panel 6 of this page – foreshadows the
end of the series. The form of the
mobile being closely related to the “squid” transported to New York by
Ozymandias at the end, and symbolizes the threat hanging over everyone in this
story.
Panel 5: In the background, on the wall, we see the
shadows of Dr. Long and his wife, shadows that closely resemble the “Hiroshima
lovers” spray-painted around the city, as seen in earlier chapters. The relationship to those silhouettes
symbolizes and foreshadows the breakdown of the Long’s marriage, which we will
observe through the course of this chapter.
Panel 6: The
shadows of Dr. Long and his wife here, juxtaposed with the dialogue that Long
feels he “can guide [Kovacs] out of [his psychosis],” along with his wife
agreeing that “if anybody can, it’s you,” symbolizes how this case will not
only make him a shadow of his former self, but it will also make their marriage
a shadow of its former self.
Panel 7: Again, Dr. Long’s wife foreshadows what is
coming for her husband. Her anxiety will
be proved out.
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