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Panel 2: Dr.
Manhattan is indirectly responsible for the “birth” of Rorschach, thanks to the
Dr. Manhattan fabric that would become his mask.
Panel 3: Note
how the fluids in the dress almost form a face, symbolizing the face that
Kovacs would make from this fabric for his alter-ego, Rorschach.
Also,
the voiceover caption exhibits Rorschach’s most basic instinct, that there is
no gray in the world, only black and white, only good and evil. This is the primary tenet of Rorschach and
this fabric perfectly embodies that philosophy.
Panel 4: “When I had cut it enough, it didn’t look
like a woman anymore,” reveals the deep psychological scars Kovacs has from the
time he lived with his mother, and also exhibits a very real, and terrifying,
personality trait within Kovacs/Rorschach.
Panel 5: This
monologue by Kovacs is quickly getting to Dr. Long, as exhibited by his hands
working to get the GOPAIN bottle open.
Panel 6: Here Moore brings in real-world events, not
only to ground the story a bit more, but to more readily exemplify the horrors
that man can perpetrate against one’s fellow man, which is what spurs
Rorschach/Kovacs to action. By utilizing
this event, Moore adds depth to Rorschach’s motivation and, in turn, makes it
more real for those reading who are familiar with the case.
Panel 7: Kovacs’s remark, “Some of them even watched,”
can be taken a number of ways – as a statement on humanity and its ugliness, as
a reference to the “Watchmen,” or even as a statement on Dr. Long and how he
could be described as a voyeur on his patients’ lives – in particular, on
Kovacs, at this point in time – with the invasive questioning he utilizes to
get at their basic problems.
It can
also be seen as a reference to this chapter’s title, “The Abyss Gazes Also,” with those gazing down at the horror
occurring beneath them seen, in Rorschach’s and others’ eyes, as becoming just
as ugly and horrific as that which they witnessed, due to the fact that nobody
tried to help.
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