PAGE 11
Panel 1: We
know that the watch on Rorschach’s wrist reads 11:00, as noted in his journal
entry, but still, the hands are close to the midnight image that has been
prevalent throughout the book. In the
background, it is interesting to note that the chipped plate standing on its
side on Rorschach’s table has a stain reminiscent of a Rorschach blot.
The
background elements in these panels from Rorschach’s residence tells us a lot
about the character – namely, that he may be committed in his fight against
crime and depravity, but the rest of his life suffers for it, mirroring his
ineptitude within society, whether superheroic or not.
Panel 3: Rorschach’s comments from his journal that he
“peeled off face” to hide it because “without [his] face . . . nobody knows who
[he is]” gives us insight into his relative sanity, and, more importantly, on
how he sees himself. Rorschach is the
reality, his alter-ego the fake persona.
Also,
in the background we can see that although the rest of Rorschach’s apartment is
a sty, his copies of the New Frontiersman have been stacked neatly, affording
us insights into his character and, specifically, what is important to him.
Panel 4: Rorschach’s remark that his landlady “reminds
[him] of his mother” foreshadows revelations that are to come in the next
issue, but also clues us in that he has issues with his mother and probably did
not have a good home life as a child.
Panel 5: Rorschach’s remarks about the silhouetted
figures spray painted in the alley doorway – “man and woman, possibly indulging
in sexual foreplay. Didn’t like
it.” – is yet another small insight into
his mind. His strict moral sense
includes a distaste for sex.
And
the silhouette – reminiscent of the silhouettes in Hiroshima and Nagasaki
burned into buildings by the atomic radiation emitted from the nuclear bombs
the United States dropped on Japan to end the second World War – symbolizes the
feeling of impending doom that permeates this entire book.
Also,
to the right we see the “Who Watches the Watchmen?” graffiti, still not fully
glimpsed.
Panel 7: As Rorschach sits watching his mail drop, he
makes an upside down question mark on his Gunga Diner placemat. This is a nod to the fact that, in the
initial pitch that involved the Charlton characters, Rorschach was to have been
the Steve Ditko character, the Question.
Panel 8: In
the background we see a group of Knot Tops spray painting the building wall
across the street from the Gunga Diner.
This graffiti will be seen in
Panel 9: and is revealed as the “Hiroshima lovers.”
In the
foreground we see that, from the upside down question on the Gunga Diner
placemat, Rorschach creates a Rorschach blot – symbolically: Rorschach being
created from the Question.
Also
note, Rorschach’s hands as they hold the Gunga Diner placemat with the
Rorschach blot on it is a visual transition into
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