PAGE 10
Panel 1: Laurie’s image in the coffee mug here is even
more reminiscent of the smiley face button, with the running mascara sitting in
for the blood splatter and the wavy lines that form her nose looking very much
like the smile.
Panel 2: Laurie’s voice over in the caption, “. . .
how did everything get so tangled up?” is placed over the image of Dr.
Manhattan’s tie twisting into a traditional knot. And again, the manner in which he is using
his powers to dress himself – the clothes moving of their own volition in order
to cover Dr. Manhattan rather than Jon taking an active role – showcases once
more how detached from humanity, and his humanness, Jon Osterman, as Dr.
Manhattan, has become.
Panel 4: Laurie’s voice over in the caption box, “I’d
rather be somewhere else . . .” is a direct foreshadowing of Dr. Manhattan’s
fast approaching departure for his television interview.
Note
the cufflink hovering in the air just below the caption box and Laurie’s bra as
a reminder of what just occurred between these two.
Panel 6: Laurie says (in the caption box), “Sometimes
the cabs just disappear and getting from A to B takes forever.” Both parts of this sentence apply to the
image in this panel. First, we have a
literal connection with Dr. Manhattan disappearing. But the second part of Laurie’s statement
reflects ironically on this instance, as Dr. Manhattan will immediately appear
across town at the ABC studios for his appearance.
Panel 8: More irony from Moore & Gibbons as the
locksmith’s voice over regarding friends just turning up “completely outta the
blue” refers directly to Dr. Manhattan appearing in the studio as well as the
fact that he is blue.
Panel 9: Here we get the first mention of the
Promethean Cab Company, which we have seen previously in the story.
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