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Panel 1: “. . . looks smaller somehow.” is overlaid on
a camera angle taken from up high, making Sally and Laurie look small in this
frame.
Panel 2: “. . . you just wash your hands of it . . .”
is an observation on Kovacs’s hands as the paint on his “The End is Nigh” sign
washes over his hands, looking almost like blood – foreshadowing the blood that
will run as the story unfolds.
Panel 4: “Life goes on.” is set ironically over a
scene focused on Kovacs and his sign reading “The End is Nigh,” who is in turn
walking in front of a cemetery, where life does not go on.
Panel 6: In response to her mother’s question of
whether it was sunny in New York,
Laurie replies, “Uh, yeah. Yeah, pretty
much . . .” which is a lie, again exhibiting a truth in these characters – we
so often say what is untrue in order to avoid confrontation or be polite or, as
in this case, to avoid our parents being right.
Panel 7: The rest home is named Nepenthe Gardens. Nepenthe is defined as a potion or drug used
by the ancients to drown pain and sorrow, which could be stated as the purpose
of such rest homes, but can also be seen as an ironic statement, since it is
common for residents in these homes to become sorrowful and feel emotional pain
at their solitude and separation from their families.
Panel 8: “. . . without your health, where are you?”
is a direct observation on Edward Blake’s coffin and his recent death, as well
as a continuation of Sally’s conversation with her daughter Laurie.
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